
- Academy Award winning actress Shirley MacLaine stars as Coco Chanel in this critically acclaimed film that charts the rise of one of the most influential designers of the 20th century. From her humble childhood and early days as a young dressmaker's assistant, to her passionate love affair with a dashing Englishman and ultimate success as a pioneering fashion icon, Coco Chanel is the story of a gl
Romance reigns in this biographical drama that has Amelie's Audrey Tautou starring as French icon Coco Chanel. But which is the love supreme for Coco: men or fashion? Anne Fontaine directs a cast that also includes Benoit Poelvoorde and Alessandro Nivola.Before she became Coco, the world-famous fashion designer, Gabrielle Chanel (Audrey Tautou in a fiercely determined performance) struggled to make ends meet. After her mother's death, her father deposited her and her sister, Adrienne (Marie Gillain)! , at an orphanage, where they learned to sew (and where Chanel developed a taste for monochromatic ensembles). They went on to become cabaret singers, but when Adrienne runs off with a wealthy suitor, the newly christened Coco must go it alone until she meets gentleman farmer Ãtienne Balsan (Benoît Poelvoorde). She lives comfortably at his chateau, but he refuses to take her out in public, so she puts her skills as a seamstress to good use and designs outfits for his lady friends, like Emilienne (Emmanuelle Devos), an actress. Chanel's situation improves further when British investor Arthur "Boy" Capel (Alessandro Nivola with an impeccable French accent) enters the scene. Her working-class origins present less of a problem with Capel, though the couple will have other issues with which to contend. In the meantime, he gives her the money to open her own Parisian studio, and the film ends with the tweed suit-clad Chanel of the popular imagination. Until that time, writer-di! rector Anne Fontaine (
The Girl from Monaco) presents ! a very d ifferent character, a woman who wasn't worldly or sophisticated, but who saw no reason why fashion--or "style," as she called it--should be complicated or uncomfortable. In transforming herself, Coco Chanel transformed an entire industry and, arguably, an entire gender.
--Kathleen C. Fennessy Stills from Coco Before Chanel (Click for larger image) Romance reigns in this biographical drama that has Amelie's Audrey Tautou starring as French icon Coco Chanel. But which is the love supreme for Coco: men or fashion? Anne Fontaine directs a cast that also includes Benoit Poelvoorde and Alessandro Nivola.Before she became Coco, the world-famous fashion designer, Gabrielle Chanel (Audrey Tautou in a fiercely determined performance) struggled to make ends meet. After her mother's death, her father deposited her and her sister, Adrienne (Marie Gillain),! at an orphanage, where they learned to sew (and where Chanel ! develope d a taste for monochromatic ensembles). They went on to become cabaret singers, but when Adrienne runs off with a wealthy suitor, the newly christened Coco must go it alone until she meets gentleman farmer Ãtienne Balsan (Benoît Poelvoorde). She lives comfortably at his chateau, but he refuses to take her out in public, so she puts her skills as a seamstress to good use and designs outfits for his lady friends, like Emilienne (Emmanuelle Devos), an actress. Chanel's situation improves further when British investor Arthur "Boy" Capel (Alessandro Nivola with an impeccable French accent) enters the scene. Her working-class origins present less of a problem with Capel, though the couple will have other issues with which to contend. In the meantime, he gives her the money to open her own Parisian studio, and the film ends with the tweed suit-clad Chanel of the popular imagination. Until that time, writer-director Anne Fontaine (
The Girl from Monaco) presents a very dif! ferent character, a woman who wasn't worldly or sophisticated, but who saw no reason why fashion--or "style," as she called it--should be complicated or uncomfortable. In transforming herself, Coco Chanel transformed an entire industry and, arguably, an entire gender.
--Kathleen C. Fennessy Stills from Coco Before Chanel (Click for larger image) Academy Award winning actress Shirley MacLaine stars as Coco Chanel in this critically acclaimed film that charts the rise of one of the most influential designers of the 20th century. From her humble childhood and early days as a young dressmaker's assistant, to her passionate love affair with a dashing Englishman and ultimate success as a pioneering fashion icon, Coco Chanel is the story of a glamorous woman who was hard to love and harder to ignore. Golden Globe and Screen Actors Guild nominated, Coco Chanel is a must-see film for every lover of fashion and ro! mance.Lovers of fashion, Paris, and love will adore
Coco Chanel, a stylish biopic about the legendary fashion designer whose incredible vision and style would go on to become one of the most influential of the 20th century. And while Coco (
née Gabrielle) Chanel's focus on her work was undeniable, and expertly chronicled in
Coco Chanel, so, too, are her passionate loves--giving the film its depth and humanity. Shirley MacLaine shines as the older Coco, looking back at her legacy from the middle of the century, with her longtime companion and No. 1 booster, Marc Bouchier (Malcolm McDowell), at her side. MacLaine is equal parts arrogant, dismissive, and steadfast in her objective--yet just vulnerable enough to let viewers see the real woman beneath the hard exterior of international success. The stunning cast includes the Czechoslovakian-born Barbora Bobulova as the young Coco--as gamine and winsome as the young Shirley MacLaine--a determined young woman ! willing to work hard in a man's field and stay true to her own! vision. Fashion fans will love learning the story of Chanel's rise from her poor beginnings in an orphanage to her hardscrabble start as a seamstress in Paris, slowly making contacts (and charming dashing young gentlemen) and insinuating her idea of elegant chic into the minds of a populace hungry for it. Chanel's conception of a fashion empire included the then-revolutionary idea of incorporating other products, like perfume; the young Coco, in creating her signature scent, said when launching Chanel No. 5, "I am sure this will be my lucky number." The DVD includes a fascinating making-of feature that shows the details of shooting on location and how the filmmakers got the period details absolutely
parfait. --
A.T. Hurley