Sabtu, 05 November 2011

Delta Farce Original Double Sided 27" X 40" Movie Poster - NOT Reprint

  • Rolled DS Double Sided One Sheet Movie Poster
  • Directed by: C.B. Harding
  • Starring: Larry the Cable Guy, Danny Trejo
Down on his luck after losing his job and his girlfriend on the same day, Larry decides to join his neighbor, Bill (Bill Engvall), and his combat-happy buddy, Everett (DJ Qualls), for a relaxing weekend of drinking and target practice. But when the three hapless guys are mistaken for Army Reservists by the hard-nosed Sergeant Kilgore (Keith David), they're loaded onto an army plane headed for Fallujah, Iraq - and mistakenly ejected in a Humvee somewhere over Mexico. Convinced they're actually in the Middle East, the clueless wannabe soldiers save a rural village from a siege of bandits and become local heroes. But when Carlos Santana (Danny Trejo), a ruthless, karaoke-loving warlord, strikes back, Larry, Bill and Everett have to lay down their beers and take up th! eir arms - and prove they just might be real soldiers after all...Delta Farce takes its cue from John Kerry's ill-advised 2006 joke to university students that they should get a good education lest they wind up in Iraq. Case in point, Larry (Larry the Cable Guy), Bill (Bill Engvall, Larry's Blue Collar Comedy costar), and Everett (D.J. Qualls, geek first class from RoadTrip), who take respite from their failed relationships, jobs, and lives in their once-a-month stint as "weekend warriors" in the Army Reserve. Delta Farce's one great inspiration was to literally drop these clueless sad sacks into Mexico instead of Fallujah. After much confusion, they become the not-so-magnificent three, helping besieged villagers fend off a gang of bandits led by the dread Carlos Santana (insert your own guitarist jokes). Delta Farce belongs to a mostly proud tradition of morale-building military misfit comedies, but it ranks closer to Ernest in the Arm! y or Pauly Shore's In the Army Now than to Buck ! Privates or Stripes. Delta Farce, dedicated to "the real men and women" who are serving our country, has no political agenda. It is content to engage in name-calling ("carpet-flyers" and "turds" are two we can print here), broad slapstick, decidedly un-PC ethnic stereotypes and epithets ("retarded" is used as a punchline on several occasions), and the occasional gross-out gag (the always reliable urine-in-a-canteen bit). The usually menacing Danny Trejo (Con Air) steals the film outright (which in this case is petty theft) as the karaoke-singing Carlos. But for Larry the Cable guy fans, and those who miss the sophisticated good ol' boy humor of Smokey and the Bandit (whose theme song is to this movie what Wagner's "Flight of the Valkyries" was to Apocalypse Now), Delta Farce may just "git r done." --Donald LiebensonMovie DVDDelta Farce takes its cue from John Kerry's ill-advised 2006 joke to university students that they sh! ould get a good education lest they wind up in Iraq. Case in point, Larry (Larry the Cable Guy), Bill (Bill Engvall, Larry's Blue Collar Comedy costar), and Everett (D.J. Qualls, geek first class from RoadTrip), who take respite from their failed relationships, jobs, and lives in their once-a-month stint as "weekend warriors" in the Army Reserve. Delta Farce's one great inspiration was to literally drop these clueless sad sacks into Mexico instead of Fallujah. After much confusion, they become the not-so-magnificent three, helping besieged villagers fend off a gang of bandits led by the dread Carlos Santana (insert your own guitarist jokes). Delta Farce belongs to a mostly proud tradition of morale-building military misfit comedies, but it ranks closer to Ernest in the Army or Pauly Shore's In the Army Now than to Buck Privates or Stripes. Delta Farce, dedicated to "the real men and women" who are serving our co! untry, has no political agenda. It is content to engage in nam! e-callin g ("carpet-flyers" and "turds" are two we can print here), broad slapstick, decidedly un-PC ethnic stereotypes and epithets ("retarded" is used as a punchline on several occasions), and the occasional gross-out gag (the always reliable urine-in-a-canteen bit). The usually menacing Danny Trejo (Con Air) steals the film outright (which in this case is petty theft) as the karaoke-singing Carlos. But for Larry the Cable guy fans, and those who miss the sophisticated good ol' boy humor of Smokey and the Bandit (whose theme song is to this movie what Wagner's "Flight of the Valkyries" was to Apocalypse Now), Delta Farce may just "git r done." --Donald LiebensonDown on his luck after losing his job and his girlfriend on the same day, Larry decides to join his neighbor, Bill (Bill Engvall), and his combat-happy buddy, Everett (DJ Qualls), for a relaxing weekend of drinking and target practice. But when the three hapless guys are mistaken for Army R! eservists by the hard-nosed Sergeant Kilgore (Keith David), they're loaded onto an army plane headed for Fallujah, Iraq - and mistakenly ejected in a Humvee somewhere over Mexico. Convinced they're actually in the Middle East, the clueless wannabe soldiers save a rural village from a siege of bandits and become local heroes. But when Carlos Santana (Danny Trejo), a ruthless, karaoke-loving warlord, strikes back, Larry, Bill and Everett have to lay down their beers and take up their arms - and prove they just might be real soldiers after all...Delta Farce takes its cue from John Kerry's ill-advised 2006 joke to university students that they should get a good education lest they wind up in Iraq. Case in point, Larry (Larry the Cable Guy), Bill (Bill Engvall, Larry's Blue Collar Comedy costar), and Everett (D.J. Qualls, geek first class from RoadTrip), who take respite from their failed relationships, jobs, and lives in their once-a-month stint as "weekend warrio! rs" in the Army Reserve. Delta Farce's one great inspir! ation wa s to literally drop these clueless sad sacks into Mexico instead of Fallujah. After much confusion, they become the not-so-magnificent three, helping besieged villagers fend off a gang of bandits led by the dread Carlos Santana (insert your own guitarist jokes). Delta Farce belongs to a mostly proud tradition of morale-building military misfit comedies, but it ranks closer to Ernest in the Army or Pauly Shore's In the Army Now than to Buck Privates or Stripes. Delta Farce, dedicated to "the real men and women" who are serving our country, has no political agenda. It is content to engage in name-calling ("carpet-flyers" and "turds" are two we can print here), broad slapstick, decidedly un-PC ethnic stereotypes and epithets ("retarded" is used as a punchline on several occasions), and the occasional gross-out gag (the always reliable urine-in-a-canteen bit). The usually menacing Danny Trejo (Con Air) steals the film outright (wh! ich in this case is petty theft) as the karaoke-singing Carlos. But for Larry the Cable guy fans, and those who miss the sophisticated good ol' boy humor of Smokey and the Bandit (whose theme song is to this movie what Wagner's "Flight of the Valkyries" was to Apocalypse Now), Delta Farce may just "git r done." --Donald LiebensonStudio: Lions Gate Home Ent. Release Date: 11/16/2010Larry the Cable Guy returns for another comic misadventure as a small town sheriff who unwittingly gets involved in a high profile FBI case. Larry single-handedly "rescues" a sophisticated woman from the men who are actually protecting her. The hilariously mismatched duo must grapple with angry FBI agents, quack doctors and Chicago high society in his funniest, most unpredictable adventure yet.It's official; Larry the Cable Guy is the new Ernest, and critics be damned. You want smart and sophisticated? Buy The Noel Coward Collection. Larry's a populist from the ! "I'd rather keep my fans happy" school, and his loyal followin! g will b e ecstatic with this film's broad slapstick, what one initially offended character calls "feeble, juvenile, and bigoted" humor, and gross-out bodily function gags (nude body-cavity search, anyone?). Larry portrays a small-town deputy with dreams of becoming an FBI special agent. "I know a criminal when I see one, a rat when I smell one, and a bad moon when it rises," he drawls. When he spies a woman (Ivana Milicevic) in the company of sinister-looking, Men in Black types, he rescues the "damsel in dee-stress." However, she is a government-protected witness en route to Chicago to testify in a sensational trial of Enron proportions. "Are you insane?" she asks him. "No," he replies, "I'm Larry." The film gets plenty of mileage out of their odd coupleness. Her cell-phone ringtone is classical music; his is the theme from Green Acres. She eats salads; he gorges himself on sausage. She's a liberal (who gets off an "impeach Bush" joke) and he bleeds U.S. Red (at one p! oint, the action pauses for a small-town "Support Our Troops" parade).

Witless Protection also benefits from some oddball casting. Yaphet Kotto costars as FBI Agent Alonzo Mosely (the name of his character in the classic Midnight Run). Peter Stormare, the silent, creepy kidnapper in Fargo, portrays a corrupt businessman with an unaccountable British accent. In a baffling cameo, Joe Mantegna seems to be channeling Strother Martin, while Jenny McCarthy serves up some sass as Larry's waitress girlfriend, nuff said, and a game Eric Roberts is a goon who butts heads with Larry in an epic fight scene. Some jokes are stale (Larry dredges up Regis Philbin's Who Wants to Be a Millionaire catch-phrase), while others are current enough to reference Michael Vick and Angelina Jolie. It is a sign of artistic growth that Larry does not utter his own signature catch-phrase, so we won't either. Witless Protection was released theatrically during Oscar w! eekend, when Hollywood celebrates supreme achievement in film.! This is what is known in the business as counter-programming. --Donald LiebensonLarry The Cable Guy plays a big city health inspector who's happy with his usual beat of greasy spoon diners. His easygoing life is turned upside down when he's saddled with a straight arrow rookie partner. When his unorthodox methods cost him his job, Larry has to go undercover to bring the conspirators to justice and "Git-R-Done!"The redneck rube from the Blue Collar Comedy Tour franchise plays a character much like himself in this feature, which balances Larry the Cable Guy's occasional excesses in toilet humor with strong comic performances from the supporting cast. Larry plays a dedicated health inspector who gets in over his head when the city mayor (Joe Pantoliano) personally appoints him to investigate a rash of food poisonings at five-star restaurants. Larry's ignorance of anything cultural that doesn't involve his truck or MoonPies proves a handicap, but his knowledge of vermi! n and disarmingly unabashed way of interviewing witnesses and suspects slowly gets him where he needs to go. For the most part, the movie gives the comedian plenty of room to indulge his gross-out shtick. But it helps to have some other talent on board, notably Tom Wilson as Larry's exasperated boss, Iris Bahr as a dreary new partner Larry thinks is a man, David Koechner as a halfwit friend, Joanna Cassidy as a restaurant owner, and Megyn Price as Larry's shy but headstrong girlfriend. --Tom KeoghOriginal double sided movie theater poster. NOT an art print, video poster or reproduction. Thousands of other titles at The Big Picture Movie Posters.

Breakfast of Champions: A Novel

  • ISBN13: 9780385334204
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
In Breakfast of Champions, one of Kurt Vonnegut’s  most beloved characters, the aging writer Kilgore Trout, finds to his horror that a Midwest car dealer is taking his fiction as truth. What follows is murderously funny satire, as Vonnegut looks at war, sex, racism, success, politics, and pollution in America and reminds us how to see the truth."We are healthy only to the extent that our ideas are humane." So reads the tombstone of downtrodden writer Kilgore Trout, but we have no doubt who's really talking: his alter ego Kurt Vonnegut. Health versus sickness, humanity versus inhumanity--both sets of ideas bounce through this challenging and funny book. As with the rest of Vonnegut's pure! fantasy, it lacks the shimmering, fact-fueled rage that illuminates Slaughterhouse-Five. At the same time, that makes this book perhaps more enjoyable to read.

Breakfast of Champions is a slippery, lucid, bleakly humorous jaunt through (sick? inhumane?) America circa 1973, with Vonnegut acting as our Virgil-like companion. The book follows its main character, auto-dealing solid-citizen Dwayne Hoover, down into madness, a condition brought on by the work of the aforementioned Kilgore Trout. As Dwayne cracks, then crumbles, Breakfast of Champions coolly shows the effects his dementia has on the web of characters surrounding him. It's not much of a plot, but it's enough for Vonnegut to air unique opinions on America, sex, war, love, and all of his other pet topics--you know, the only ones that really count.

Down with Love (Widescreen Edition)

  • 2003 - Down With Love - DVD Video
  • Renee Zellweger, Ewan McGregor, Tony Randall
  • Widescreen Edition - Rated PG-13
  • New - With Bonus Features -
  • Collectible
Renee Zellweger (Chicago) and Ewan McGregor (Moulin Rouge) are the toast of the town in the most stylish romantic comedy of the year! From the producers of American Beauty and the director of Bring It On comes a teasing, tantalizing battle of the sexes that is "pure enchantment" (Daily News). When best-selling feminist author Barbara Novak (Zellweger) becomes the target of dashing playboy Catcher Block (McGregor), these sparring, would-be lovers generate enough sparks to fly you to the moon and back. In other words, the ultimate catch has just met his match!The bright, glossy world of Doris Day and Rock Hudson sex comedies gets a self-aware brush-up in Down with Love. Pillow-lipped Renée Zellweger (Ch! icago) plays Barbara Novak, the author of a bestselling book called Down with Love that advises women to focus on their careers and have sex à la carte--just like a man would. Determined to prove that Novak is just as vulnerable to love as any woman, dashingly chauvinist magazine writer Catcher Block (ever-charming Ewan McGregor, Moulin Rouge) pretends to be a courtly astronaut who wouldn't dream of putting his hand on a woman's knee. This piffle of a story seems like nothing more than an excuse for ironic double-entendres and dazzling production design, until a sneaky plot twist suddenly raises the stakes for the movie's end. As he always does, the brilliant David Hyde Pierce (Frasier) scores the most comic points as Block's fussy editor. --Bret Fetzer

Enemy of the State

  • TESTED
Hot Hollywood favorite Will Smith (MEN IN BLACK, INDEPENDENCE DAY) stars with Academy Award(R)-winner Gene Hackman (Best Actor, 1971, THE FRENCH CONNECTION) in a high-powered suspense thriller where nonstop action meets cutting-edge technology! Robert Clayton Dean (Smith) is a successful Washington, D.C., attorney who -- without his knowledge -- is given a video that ties a top official of the National Security Agency (Oscar(R)-winner Jon Voight, Best Actor, 1978, COMING HOME) to a political murder! Instantly, every aspect of Dean's once-normal life is targeted by a lethal team of skilled NSA surveillance operatives who wage a relentless, ultra-high-tech campaign to discredit him and retrieve the incriminating evidence! Also featuring Regina King (JERRY MAGUIRE, BOYZ N THE HOOD) in an impressive, star-studded cast -- get ready for the action to explode as Dean desperately races to recl! aim his life and prove his innocence before it's too late!Robert Clayton Dean (Will Smith) is a lawyer with a wife and family whose happily normal life is turned upside down after a chance meeting with a college buddy (Jason Lee) at a lingerie shop. Unbeknownst to the lawyer, he's just been burdened with a videotape of a congressman's assassination. Hot on the tail of this tape is a ruthless group of National Security Agents commanded by a belligerently ambitious fed named Reynolds (Jon Voight). Using surveillance from satellites, bugs, and other sophisticated snooping devices, the NSA infiltrates every facet of Dean's existence, tracing each physical and digital footprint he leaves. Driven by acute paranoia, Dean enlists the help of a clandestine former NSA operative named Brill (Gene Hackman), and Enemy of the State kicks into high-intensity hyperdrive.

Teaming up once again with producer Jerry Bruckheimer, Top Gun director Tony Scott demonstrates his gl! ossy style with clever cinematography and breakneck pacing. Wi! ll Smith proves that there's more to his success than a brash sense of humor, giving a versatile performance that plausibly illustrates a man cracking under the strain of paranoid turmoil. Hackman steals the show by essentially reprising his role from The Conversation--just imagine his memorable character Harry Caul some 20 years later. Most of all, the film's depiction of high-tech surveillance is highly convincing and dramatically compelling, making this a cautionary tale with more substance than you'd normally expect from a Scott-Bruckheimer action extravaganza. --Jeremy StoreyRobert Clayton Dean (Will Smith) is a lawyer with a wife and family whose happily normal life is turned upside down after a chance meeting with a college buddy (Jason Lee) at a lingerie shop. Unbeknownst to the lawyer, he's just been burdened with a videotape of a congressman's assassination. Hot on the tail of this tape is a ruthless group of National Security Agents commanded by a belligeren! tly ambitious fed named Reynolds (Jon Voight). Using surveillance from satellites, bugs, and other sophisticated snooping devices, the NSA infiltrates every facet of Dean's existence, tracing each physical and digital footprint he leaves. Driven by acute paranoia, Dean enlists the help of a clandestine former NSA operative named Brill (Gene Hackman), and Enemy of the State kicks into high-intensity hyperdrive.

Teaming up once again with producer Jerry Bruckheimer, Top Gun director Tony Scott demonstrates his glossy style with clever cinematography and breakneck pacing. Will Smith proves that there's more to his success than a brash sense of humor, giving a versatile performance that plausibly illustrates a man cracking under the strain of paranoid turmoil. Hackman steals the show by essentially reprising his role from The Conversation--just imagine his memorable character Harry Caul some 20 years later. Most of all, the film's depiction of hi! gh-tech surveillance is highly convincing and dramatically com! pelling, making this a cautionary tale with more substance than you'd normally expect from a Scott-Bruckheimer action extravaganza. --Jeremy Storey

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