Mens Valet Charging Station Organizer Suit Tie Belt Shoe Rack Dark Mahogany Finish

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One of the country's premier outdoors writers makes his chilling fiction debut. It came out on the night of the hunters.

Deputy Frank Vaughn is tracking a strange, wounded beast. But there's only one thing more terrifying than what he's hunting. It's what's hunting him.Throughout its long history, Freetown, Massachusetts, has been a hotbed of criminal and supernatural occurrences in the town's State Forest. This is the first account of how its darker side connects hauntings with violent crime and local cults. Native American ghosts roam here and evil lurks, making the forest a haven for nasty creatures (the Pukwudgies). A witch looks for ! favors from young men, satan cults thrive, and killers kill. Read first-hand accounts from police officials and criminals about the forest. Learn why hauntings continue today. Many come here to enjoy the beauty of Freetown State Forest; these are the stories of those who cannot leave.Eden turned the teddy bear over in her hands and Cal saw the way her fingers stroked the worn patch of fur, touching the frayed threads where the glass eye used to be. 'Where did you get this?' she whispered. Jefferson smiled. 'From in here,' he told her, tapping a finger against his temple. 'From inside your head.' After meeting on holiday in Montana, Cal and Eden decide to explore the mountains beyond their campground. But deep in the woods, someone is watching them. Jefferson Boyd, a lone outcast, believes he has discovered a way of turning dreams into reality. But he needs someone to experiment upon. When Cal wakes up in an isolated cabin, he discovers they are not alone. And as the terrify! ing truth emerges, he realises that their only chance of survi! val is t o finally confront the nightmares that are stalking them through the shadows of the forest ...Forgotten somewhere between Bar Harbor, Maine, and New Brunswick, Canada, lies the most remote and mysterious section of the Eastern Seaboard. It is a region rich in stark beauty--and supernatural lore. The harsh landscape, with its rocky seaside cliffs and thundering surf and miles of dark, mysterious forest farther inland, lends itself to the ghost story. Overlaying the ghost tales gathered in this book is a sense of unspeakable horror and malice.Studio: Vanguard Cinema Release Date: 09/28/2010 Run time: 103 minutes Rating: NrIn Stuart Woods's perfect mix of sexy intrigue and swift suspense, Stone Barrington investigates the suicide of a CIA officer-his cousin.Eden turned the teddy bear over in her hands and Cal saw the way her fingers stroked the worn patch of fur, touching the frayed threads where the glass eye used to be. 'Where did you get this?' she whispered. Jefferson sm! iled. 'From in here,' he told her, tapping a finger against his temple. 'From inside your head.' After meeting on holiday in Montana, Cal and Eden decide to explore the mountains beyond their campground. But deep in the woods, someone is watching them.Jefferson Boyd, a lone outcast, believes he has discovered a way of turning dreams into reality. But he needs someone to experiment upon.When Cal wakes up in an isolated cabin, he discovers they are not alone. And as the terrifying truth emerges, he realises that their only chance of survival is to finally confront the nightmares that are stalking them through the shadows of the forest . . .Eden turned the teddy bear over in her hands and Cal saw the way her fingers stroked the worn patch of fur, touching the frayed threads where the glass eye used to be. 'Where did you get this?' she whispered. Jefferson smiled. 'From in here,' he told her, tapping a finger against his temple. 'From inside your head.' After meeting on holiday! in Montana, Cal and Eden decide to explore the mountains beyo! nd their campground. But deep in the woods, someone is watching them.Jefferson Boyd, a lone outcast, believes he has discovered a way of turning dreams into reality. But he needs someone to experiment upon.When Cal wakes up in an isolated cabin, he discovers they are not alone. And as the terrifying truth emerges, he realises that their only chance of survival is to finally confront the nightmares that are stalking them through the shadows of the forest . . .Once upon a time, in a village in Germany, there traveled a poor opera company. With them was a brilliant young composer whose career was yet to be written by history…and a young soprano whose past was a tragedy forgotten even by her.

As the stage is set for the composer’s masterpiece, the young woman is destined to face her worst fear. A dark opera unfolds around her, a simple children’s tale becomes a nightmare driving her towards her past beneath the shadows of the Konigsforst.

Into the woods we go! …



Excerpt from Gingerbread House:

The stage’s light fell upon the witch as she paused before them, a hunched figure in a dress of grimy homespun cloth. Beneath the peeling paper layers and plaster nose, the face of Frauline Truda was almost invisible; her twisted features painted in a corpse-like green and grey.

“Kommt, kleine Maus-lein, kommt in mein Haus-lein,” she intoned, beckoning towards them entreatingly.

It was not the voice of Frauline Truda the Viking Maid or Queen of the Night; it was the voice of something cold and evil. Wickedness oozed from it; a seeping, sickly tone that emerged in a slow rhythm, matching the finger coaxing them forward with its long nail.

“Come, little mous-ie,” she crooned. “come into my hous-ie...” Her trailing skirts swept across the stage as she moved backwards towards the painted cottage. Elsa was frozen in place; Adler propelling her forward by force ! in step to the witch’s song.

The ground was closi! ng betwe en herself and the witch, the girl’s heart pounding as her heavy boots scraped against the floorboards. Frauline Truda’s smile seemed inhuman beneath her malformed mask, exposing teeth stained black beneath.

“Hocus, Pocus, witch’s charms!” With a shriek of delight, Frauline Truda aimed the witch’s broom at them, its pointed end dwindling to a wand…
Once upon a time, in a village in Germany, there traveled a poor opera company. With them was a brilliant young composer whose career was yet to be written by history…and a young soprano whose past was a tragedy forgotten even by her.

As the stage is set for the composer’s masterpiece, the young woman is destined to face her worst fear. A dark opera unfolds around her, a simple children’s tale becomes a nightmare driving her towards her past beneath the shadows of the Konigsforst.

Into the woods we go…



Excerpt from Gingerbread House:

The stage’s light fel! l upon the witch as she paused before them, a hunched figure in a dress of grimy homespun cloth. Beneath the peeling paper layers and plaster nose, the face of Frauline Truda was almost invisible; her twisted features painted in a corpse-like green and grey.

“Kommt, kleine Maus-lein, kommt in mein Haus-lein,” she intoned, beckoning towards them entreatingly.

It was not the voice of Frauline Truda the Viking Maid or Queen of the Night; it was the voice of something cold and evil. Wickedness oozed from it; a seeping, sickly tone that emerged in a slow rhythm, matching the finger coaxing them forward with its long nail.

“Come, little mous-ie,” she crooned. “come into my hous-ie...” Her trailing skirts swept across the stage as she moved backwards towards the painted cottage. Elsa was frozen in place; Adler propelling her forward by force in step to the witch’s song.

The ground was closing between herself and the witch, the girl’s h! eart pounding as her heavy boots scraped against the floorboar! ds. Frau line Truda’s smile seemed inhuman beneath her malformed mask, exposing teeth stained black beneath.

“Hocus, Pocus, witch’s charms!” With a shriek of delight, Frauline Truda aimed the witch’s broom at them, its pointed end dwindling to a wand…
Six sensuous adult fairy tales designed to relax you and take you away from your day to day. For every woman who wanted to be Cinderella or Rapunzel and wondered how it all turned out in the end.

These dark tales are as cruel as any of the Grimm fairy tales. Deliciously wicken with unexpected twists.Six sensuous adult fairy tales designed to relax you and take you away from your day to day. For every woman who wanted to be Cinderella or Rapunzel and wondered how it all turned out in the end.

These dark tales are as cruel as any of the Grimm fairy tales. Deliciously wicken with unexpected twists.Get organized with this sleek and sophisticated men's valet/charging station. The perfect accessory for the well-dressed gentleman, the valet offers storage and organization in a dark mahogany finish with satin nickel accents. Valet features include: a form fitting hanger, a large accessory storage tray with drawer, a trouser hanger, tie/belt hanger and a shoe rack. The large storage tray is wide enough to hold a power strip for charging your cell phone or other electronic devices. Measures 42.5"H x 19" W x 14.25" D. Made of wood with a dark mahogany finish and satin nickel hardware. Form fitting suit/shirt hanger. Trouser hanger. Large accessory tray that holds an entire power strip, and a spacious drawer. Tie/belt hanger. Shoe rack.

Cellular (New Line Platinum Series)

• SUSPENSE IS ON THE LINE! After getting a frantic call on his cell phone from a kidnapped woman, a young man must battle his way through a ruthless world of lies and murder to rescue her. A fast-paced thriller in the vein of Phone Booth and Speed that will keep you riveted with edge-of-your-seat car chase scenes.Running Time: 95 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating:&nbs

SUSPENSE IS ON THE LINE! After getting a frantic call on his cell phone from a kidnapped woman, a young man must battle his way through a ruthless world of lies and murder to rescue her. A fast-paced thriller in the vein of Phone Booth and Speed that will keep you riveted with edge-of-your-seat car chase scenes.

DVD Features:
Audio Commentary:with Director David Ellis, writers Larry Cohen and Chris Morgan
DVD ROM Features:Script-to-Screen
Deleted Scenes:w/optional Direct! or commentary
Featurette:3 Exciting Featurettes! "Celling Out"A look at cellphones in today's culture "Dialing Up Cellular"Making of The Film "Code of Silence: Inside the Rampart Scandal"
Theatrical Trailer

Just when you think it's getting silly, Cellular serves up another tantalizing twist. In the time-honored tradition of Sorry, Wrong Number and Wait Until Dark, Kim Basinger is well-cast as a resourceful damsel-in-distress who thwarts her kidnappers by connecting with a n'er-do-well cell-phone user (Chris Evans, later seen in The Fantastic Four) who races against time to rescue her from afar. One good cop (William H. Macy) assembles clues to uncover conspiracy, while first-time writer Chris Morgan and pulp-movie master Larry Cohen (who conceived the plot, similar to his own Phone Booth screenplay) serve up a consistently satisfying string of high-tension surprises. Jason Statham continues to prove his rising-s! tar status as the film's tenacious villain, and director David! Ellis ( Final Destination 2) takes advantage of his experience as a veteran stunt coordinator and second-unit director, making good use of locations in his native Santa Monica, and wringing credible suspense from a deliriously far-fetched premise. --Jeff Shannon

CHANNING TATUM - A Guide to Recognizing Your Saints AUTOGRAPH Signed 8x10 Photo

• CHANNING TATUM - A Guide to Recognizing Your Saints AUTOGRAPH Signed 8x10 Photo
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Orlandito "Dito" Montiel, son of Orlando, a Nicaraguan immigrant, and an Irish mother, grew wild in the streets of Astoria, Queens, pulling pranks for Greek and Italian gangsters and confessing at the church of the Immaculate Conception, gobbling hits of purple mescaline and Old English, sneaking into Times Square whore housesâ€""Kids from nowhere going nowhere." This is the quintessentially American story of a young man's hunger for experience, his dawning awareness of the bigger world across the bridge, and of the loyalties that bind him to a violent past and to the flawed and des! perate saints that have guided him: Dito's father, Antonio "our insane warrior hero," Bob Semen, Frank the dog walker, Jimmy Mullen, Cherry Vanilla, Ginsberg and all the others, the drunks, coke-heads, junkies, the insaniacs like Santos Antonios who said, "Now Dito remember, in life you gotta be crazy."

"As far back as i can remember ... i can remember
manhattan." Orlandito "Dito" Montiel, son of Orlando, a
Nicaraguan immigrant, and an Irish mother, grew wild in the streets of
Astoria, Queens, pulling pranks for Greek and Italian gangsters and
confessing at the church of the Immaculate Conception, gobbling hits
of purple mescaline and Old English, sneaking into Times Square whore
housesâ€""Kids from nowhere going nowhere." At 14 Dito watched
as his best friend and surrogate older brother, Antonio, beat another
kid to death with a baseball bat during a gang fight. A Guide to
Recognizing Your Saints is the quintessentially Ame! rican story of a
young man’s hunger for experience, his! dawning awareness of the bigger
world across the bridge, and of the loyalties that bind him to a
violent past and to the flawed and desperate Saints that have guided
himâ€"a streetwise Meetings With Remarkable Men with echoes of
Whitman and Kerouac , Saturday Night Fever and Dion and the
Belmonts. Dito tasted short-lived notoriety as a model for Versace and
Calvin Klein, and as the leader of "the most successful
unsuccessful band in history," Gutterboy, a 15-minute darling
signed to Geffen for a then unprecedented million-dollar advance. But
this book is about the Saints: Dito’s father, Antonio "our insane
warrior hero," Bob Semen, Frank the dog walker, Jimmy Mullen,
Cherry Vanilla, Allen Ginsberg and all the others, the drunks,
coke-heads, junkies, the insaniacs like Santos Antonios who said,
"Now Dito remember, in life you gotta be crazy." Photographs by
Bruce Weber, Lance Staedler and Allen Ginsberg are feat! ured. A Guide
to Recognizing Your Saints is soon to be a major motion picture
directed by Robert Downey, Jr.
"As far back as i can remember ... i can remember
manhattan." Orlandito "Dito" Montiel, son of Orlando, a
Nicaraguan immigrant, and an Irish mother, grew wild in the streets of
Astoria, Queens, pulling pranks for Greek and Italian gangsters and
confessing at the church of the Immaculate Conception, gobbling hits
of purple mescaline and Old English, sneaking into Times Square whore
housesâ€""Kids from nowhere going nowhere." At 14 Dito watched
as his best friend and surrogate older brother, Antonio, beat another
kid to death with a baseball bat during a gang fight. A Guide to
Recognizing Your Saints is the quintessentially American story of a
young man’s hunger for experience, his dawning awareness of the bigger
world across the bridge, and of the loyalties that bind him to a
violent past and to the flawed and despe! rate Saints that have guided
himâ€"a streetwise Meetings Wi! th Remar kable Men with echoes of
Whitman and Kerouac , Saturday Night Fever and Dion and the
Belmonts. Dito tasted short-lived notoriety as a model for Versace and
Calvin Klein, and as the leader of "the most successful
unsuccessful band in history," Gutterboy, a 15-minute darling
signed to Geffen for a then unprecedented million-dollar advance. But
this book is about the Saints: Dito’s father, Antonio "our insane
warrior hero," Bob Semen, Frank the dog walker, Jimmy Mullen,
Cherry Vanilla, Allen Ginsberg and all the others, the drunks,
coke-heads, junkies, the insaniacs like Santos Antonios who said,
"Now Dito remember, in life you gotta be crazy." Photographs by
Bruce Weber, Lance Staedler and Allen Ginsberg are featured. A Guide
to Recognizing Your Saints is soon to be a major motion picture
directed by Robert Downey, Jr.
A coming-of-age drama about a boy growing up in astoria ny during the 1980s. As his friends end up dead on drugs or ! in prison he comes to believe he has been saved from their fate by various so-called saints. Studio: First Look Home Entertain Release Date: 09/04/2007 Starring: Robert Downey Jr Chazz Palminteri Run time: 98 minutes Rating: R A film adaptation of Dito Montiel's memoir of the same name, A Guide to Recognizing Your Saints is a compelling, thoughtful movie based on Montiel's childhood growing up in 1980s Queens. A writer and director who understands his limitations, Montiel wisely left the acting to the pros. Shia LaBeouf (Holes) plays him during his adolescence, while Robert Downey Jr. (Good Night, and Good Luck, Wonder Boys) portrays the grown-up Dito. Never mind that there is absolutely no physical resemblance between the two actors; LaBeouf and Downey are so convincing in their roles it doesn't matter. Switching effortlessly from present day (where Dito is a successful author) to the past (where he is a tough little kid trying to figure ou! t if there is life beyond New York), A Guide to Recognizing! Your Sa ints tackles Dito's complicated relationship with his parents (Chazz Palminteri and Dianne Wiest), as well as the friends he left behind. Eric Roberts is magnificent in a small role as one of Dito's tough, childhood buddies. His powerful performance makes viewers remember there was a time when Roberts was better known for his acting skills than for being Julia's big brother. Montiel--a first-time filmmaker--won the Director's Award at the 2006 Sundance Film Festival for his autobiographical movie. Raw, gritty, and honest, Saints) makes a strong impact and leaves the viewer curious as to how the rest of Montiel's life will work out. --Jae-Ha KimThis digital document is an article from National Catholic Reporter, published by Thomson Gale on October 27, 2006. The length of the article is 1070 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immedi! ately after purchase. You can view it with any web browser.

Citation Details
Title: Genuine strength: 'The Queen' finds it in Elizabeth II, 'A Guide to Recognizing Your Saints' in Queens.(MOVIES)(Movie review)
Author: Joseph Cunneen
Publication: National Catholic Reporter (Magazine/Journal)
Date: October 27, 2006
Publisher: Thomson Gale
Volume: 43 Issue: 2 Page: 16(1)

Article Type: Movie review

Distributed by Thomson GaleA coming-of-age drama about writer/director Dito Montiel's youth, the film captures the mid-1980's in the toughest neighborhood of Astoria, Queens. Dito (Robert Downey Jr.) called home after 15 years because his father (Chazz Palminteri) is ill, encounters old friends - the ones he lost, the ones he left behind, the ones he can't help but remember. These are! Dito's saints. An honest account of a bittersweet return to a! neighbo rhood where relationships can never be what they once were, Dito's story is about to come to terms with a father's rage and a father's love. A film adaptation of Dito Montiel's memoir of the same name, A Guide to Recognizing Your Saints is a compelling, thoughtful movie based on Montiel's childhood growing up in 1980s Queens. A writer and director who understands his limitations, Montiel wisely left the acting to the pros. Shia LaBeouf (Holes) plays him during his adolescence, while Robert Downey Jr. (Good Night, and Good Luck, Wonder Boys) portrays the grown-up Dito. Never mind that there is absolutely no physical resemblance between the two actors; LaBeouf and Downey are so convincing in their roles it doesn't matter. Switching effortlessly from present day (where Dito is a successful author) to the past (where he is a tough little kid trying to figure out if there is life beyond New York), A Guide to Recognizing Your Saints tackles Dito'! s complicated relationship with his parents (Chazz Palminteri and Dianne Wiest), as well as the friends he left behind. Eric Roberts is magnificent in a small role as one of Dito's tough, childhood buddies. His powerful performance makes viewers remember there was a time when Roberts was better known for his acting skills than for being Julia's big brother. Montiel--a first-time filmmaker--won the Director's Award at the 2006 Sundance Film Festival for his autobiographical movie. Raw, gritty, and honest, Saints) makes a strong impact and leaves the viewer curious as to how the rest of Montiel's life will work out. --Jae-Ha KimFast Shipping (Free USPS Upgrade, Ships within 24 hours); Eco-friendly packing materialThis is a great HAND-SIGNED 8x10 photo! You could own this picture that has been authentically autographed by this incredible actor. We never sell copies or reproductions of any kind; this photo has been hand-signed by Channing Tatum. This photo was signed in-person after Channing's appearance on Late Night with Jimmy Fallon on August 4, 2009. Don't miss your chance to own this fantastic item!

Broken English

• Croatian born NINA (Aleksandra Vujcic) escapes with her family from their war ravaged homeland to the culturally mixed suburbs of Auckland, New Zealand. Smothered by the controlling love of her volatile father, IVAN (Rade Serbedzija), Nina finds tender romance when she falls in love with EDDIE (Julian Arahanga), a New Zealand native (Maori). Frustrated, Nina knows there is no chance that she and E

Though made by the daughter of iconoclastic filmmaker John Cassavetes, Broken English is a surprisingly old-fashioned affair. Just as her friend Sofia Coppola wrote about a woman much like herself for Lost in Translation, Zoe Cassavetes has done something similar for her first film (although Before Sunset seems to have exerted a greater influence). Nora (Parker Posey in typically fine form) works in guest relations for a hip New York hotel, just as the writer/director once did. ! Her best friend, Audrey (Drea de Matteo, The Sopranos), has been married for five years, while Nora remains single. Her mother, Vivien (Gena Rowlands, Zoe's real-life mother), would like to see her settle down. First, Nora goes on a date with self-obsessed actor Nick (a mohawked Justin Theroux), then blind date Charlie (Josh Hamilton). Neither ends well. Nora laments, "Men hate me," but Audrey argues that Nora really hates herself. Her self-confidence gets a boost when she meets Julien (Melvil Poupaud, François Ozon's Time to Leave), a chain-smoking, fedora-sporting Frenchman. Just as she starts to falls for him, Julien returns to Paris, so Nora has to decide whether to stay...or to go. Much like the ladies of Sex and the City (on which Theroux guested), she's the kind of character who appears to have it all, but feels worthless if she isn't in a relationship. It isn't a particularly progressive notion--that the right man will solve every problem--but ! that doesn't mean plenty of women won't be able to relate. ! --Kathle en C. Fennessy

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A silent, simmering killer terrorized New England in 1911. A heat wave unlike any that had come before killed people in the streets, caused others to drown in the waters where they sought relief, and drove still others to suicide. As more than 2,000 people died during the natural disaster, another silent killer began her own murderous spree. Amy Archer-Gilligan operated the Archer Home for Elderly People and Chronic Invalids in Windsor, Connecticut. What was thought to be a respectable busines! s run by a pioneering woman was exposed as little more than a murder factory. Amy would be accused of murdering both her husbands and dozens (as many as sixty) of her elderly patients with cocktails of lemonade and arsenic—all for money. She would be convicted and sentenced to hang, and her story would shock turn-of-the-century America and provide the inspiration for the Broadway sensation and classic film Arsenic and Old Lace. Acclaimed crime writer M. William Phelps has written the first book to tell the true story of greed and murder even more shocking than its fictional counterpart.

 

Readers will enter a kind of Twilight Zone where a Bible-thumping caretaker and entrepreneur of the nursing home industry became one of history’s most evil female serial killers. With first-hand accounts from Amy’s Â"inmates,” riveting trial transcripts, and accounts from the investigative journalists who co! vered the case, Phelps puts readers face-to-face with a woman ! who was both a Black Widow and an Angel of Death. And Phelps paints a vivid, spine-chilling portrait of turn-of-the-century New England.

 

This is historical true crime at its best.

.
"Devil's In The House Of The Rising Sun" - a full-length screenplay, revolves around a group of teenagers and their families in a small southern town. Legend has it that every fifty years, when the moon is full, an American Indian curse returns seeking retribution by wreaking havoc for the injustices that occurred over a century earlier. It's the first weekend after high school graduation. A lot is going on around town as the group of old friends decide what their going to do with their lives. There's also talk about a so-called curse arriving but no one actually believes it. "Devil's In The House Of The Rising Sun" is a coming-of-age horror story - mixing fear and humor, sadness and craziness an! d bursts of super-natural wicked excitement. The colorful characters and thought-provoking story-lines are based on the songs of legendary recording artist, Charlie Daniels. The screenplay climaxes to the Grammy Award winning song, "The Devil Went Down To Georgia".
.
"Devil's In The House Of The Rising Sun" - a full-length screenplay, revolves around a group of teenagers and their families in a small southern town. Legend has it that every fifty years, when the moon is full, an American Indian curse returns seeking retribution by wreaking havoc for the injustices that occurred over a century earlier. It's the first weekend after high school graduation. A lot is going on around town as the group of old friends decide what their going to do with their lives. There's also talk about a so-called curse arriving but no one actually believes it. "Devil's In The House Of The Rising Sun" is a coming-of-age horror story - mixing fear and humor, sadness and craziness and burst! s of super-natural wicked excitement. The colorful characters ! and thou ght-provoking story-lines are based on the songs of legendary recording artist, Charlie Daniels. The screenplay climaxes to the Grammy Award winning song, "The Devil Went Down To Georgia".

The gripping tale of a legendary, century-old murder spree

 

***

 

A silent, simmering killer terrorized New England in1911. As a terrible heat wave killed more than 2,000 people, another silent killer began her own murderous spree. That year a reporter for the Hartford Courant noticed a sharp rise in the number of obituaries for residents of a rooming house in Windsor, Connecticut, and began to suspect who was responsible: Amy Archer-Gilligan, who’d opened the Archer Home for Elderly People and Chronic Invalids four years earlier. Â"Sister Amy” would be accused of murdering both of her husbands and up to sixty-six o! f her patients with cocktails of lemonade and arsenic; her story inspired the Broadway hit Arsenic and Old Lace.

 

The Devil’s Rooming House is the first book about the life, times, and crimes of America’s most prolific female serial killer. In telling this fascinating story, M. William Phelps also paints a vivid portrait of early-twentieth-century New England.

The gripping tale of a legendary, century-old murder spree

 

***

 

A silent, simmering killer terrorized New England in1911. As a terrible heat wave killed more than 2,000 people, another silent killer began her own murderous spree. That year a reporter for the Hartford Courant noticed a sharp rise in the number of obituaries for residents of a roomi! ng house in Windsor, Connecticut, and began to suspect who was! respons ible: Amy Archer-Gilligan, who’d opened the Archer Home for Elderly People and Chronic Invalids four years earlier. Â"Sister Amy” would be accused of murdering both of her husbands and up to sixty-six of her patients with cocktails of lemonade and arsenic; her story inspired the Broadway hit Arsenic and Old Lace.

 

The Devil’s Rooming House is the first book about the life, times, and crimes of America’s most prolific female serial killer. In telling this fascinating story, M. William Phelps also paints a vivid portrait of early-twentieth-century New England.

Vanity Fair hired famous novelist Nick Thessalides to stay in a haunted country inn and write about it for their October issue. A weekend of secluded sun, fun, and sex sounds like paradise, so Nick is taking his lovers Andy and Oliver along. Nick’s best friend Serena, a celebrity photographer, and her bashful Iri! sh setter Stubing, are accompanying the boys to document their escapades. What could go wrong?

It’s all fun and games until a serial killer’s knife appears embedded in the floor of the hotel’s foyer. Cut off from the outside world, they decide there’s no choice but to solve the mystery, and the five investigators uncover clues that lead them to construct a trap. But will they capture a serial killer’s ghost, a scam artist, or something else entirely?Vanity Fair hired famous novelist Nick Thessalides to stay in a haunted country inn and write about it for their October issue. A weekend of secluded sun, fun, and sex sounds like paradise, so Nick is taking his lovers Andy and Oliver along. Nick’s best friend Serena, a celebrity photographer, and her bashful Irish setter Stubing, are accompanying the boys to document their escapades. What could go wrong?

It’s all fun and games until a serial killer’s knife appears embedded in the floor of the h! otel’s foyer. Cut off from the outside world, they decide th! ere’s no choice but to solve the mystery, and the five investigators uncover clues that lead them to construct a trap. But will they capture a serial killer’s ghost, a scam artist, or something else entirely?Dirt Devil has developed a new line of energy efficient cleaning products with ENERGY STAR qualified battery chargers. The Accucharge System protects batteries from degradation, leading to a longer and more efficient battery life. Now charging twice as quickly-- so you won't have to wait as long between uses. Additionally, special AccuCharge Circuitry constantly monitors the battery until fully charged, and then reduces power to a trickle to complete and maintain the charge. This results in a reduction of energy consumption by 70%!

With 15-3/5 volts of suction power and an easy-to-maneuver cordless design, this handheld vacuum cleaner works great for on-the-go pickups and fast cleaning of every day messes and dry spills. The handy tool features AccuCharge technol! ogy, which provides a longer battery life and charges twice as fast. Plus, its circuitry constantly monitors the unit until it reaches the charge voltage, then it reduces power to a trickle to complete and maintain the charge, which means 70-percent less energy consumption. The unit's battery charger has earned an ENERGY STAR rating, which means it meets strict energy-efficiency guidelines for battery chargers set by the EPA and U.S. Department of Energy.

ENERGY STAR qualified battery chargers can help save on energy bills, as well as on greenhouse gas emissions--all of which means a cleaner house without excess costs or impact on the environment. Other thoughtful design details include a comfort-grip handle, a thumb-activated on/off switch, and an onboard flip-down crevice tool for getting into tight spaces like along window sills or between couch cushions. Dirt and debris collect in an oversized bagless cup that pops off for quick emptying. The rechargeable ha! ndheld vacuum cleaner measures approximately 14 by 4 by 5 inch! es.
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The Go-Getter

• GO GETTER, THE (DVD MOVIE)

ALL THE REAL GIRLS - DVD MovieYou'd think moviemakers would have run out of new ways of capturing the trials and joys of young love--but director David Gordon Green finds a fresh take in All the Real Girls, a bittersweet small-town romance. By leaving out the usual humdrum exposition of a courtship story, Green cuts right to the little moments that form the high and low points of a budding relationship. It's an impressionistic style aided by the wonderfully spontaneous and unpredictable acting of Paul Schneider (who also co-scripted) and Zooey Deschanel--who look like they're improvising, even though they're not. As in Green's excellent debut feature George Washington, a small town serves as an atmospheric backdrop--this place looks a couple of decades shy of the 21st century. The mosaic approach makes the film play like a collection of memories, someo! ne's first love recalled with fondness and just a bit of regret. --Robert HortonYou'd think moviemakers would have run out of new ways of capturing the trials and joys of young love--but director David Gordon Green finds a fresh take in All the Real Girls, a bittersweet small-town romance. By leaving out the usual humdrum exposition of a courtship story, Green cuts right to the little moments that form the high and low points of a budding relationship. It's an impressionistic style aided by the wonderfully spontaneous and unpredictable acting of Paul Schneider (who also co-scripted) and Zooey Deschanel--who look like they're improvising, even though they're not. As in Green's excellent debut feature George Washington, a small town serves as an atmospheric backdrop--this place looks a couple of decades shy of the 21st century. The mosaic approach makes the film play like a collection of memories, someone's first love recalled with fondness and just a bit! of regret. --Robert HortonSometimes you find love wher! e you'd least expect it. Just ask Lars (Academy Award-Nominee* Ryan Gosling), a sweet but quirky guy who thinks he's found the girl of his dreams in a life-sized doll named Bianca. Lars is completely content with his artificial girlfriend, but when he develops feelings for Margo, an attractive co-worker, Lars finds himself lost in a hilariously unique love triangle, hoping to somehow discover the real meaning of true love. Offbeat and endearing, this romantic comedy takes a fresh look at dating and relationships and dares to ask the question: What's so wrong with being happy?To some, Lars and the Real Girl will play as comedy; to others, tragedy. Though Craig Gillespie (Mr. Woodcock) allows Lars Lindstrom (a mustachioed Ryan Gosling, miles away from Half Nelson) a happy ending, the road is far from smooth. This rumpled Midwesterner couldn't be more miserable. His brother, Gus (Paul Schneider, All the Real Girls), and sister-in-law, Karin (Emily Mortimer, Love! ly and Amazing), fall over themselves to cheer him up, but Lars cannot be moved; he’s been like that since childhood. Then a porn-addicted co-worker hips him to the lifelike Real Doll. The next thing everyone knows, Lars has a new girlfriend named Bianca. She's from Brazil, she's shy, and she uses a wheelchair. She's also made of silicon. (Because Lars is a devout Christian, hanky-panky is out of the question.) Since he's finally emerging from his shell, his doctor, Dagmar (Patricia Clarkson), advises Gus and Karin to play along with the "delusion." Soon the whole town, including Margo (Kelli Garner), who harbors a not-so-secret crush on her officemate, gets in on the action, forcing Lars to rejoin the human race or crawl deeper into psychosis. Written by Six Feet Under's Nancy Oliver, Lars and the Real Girl is built around such a preposterous premise, it's hard to know whether to laugh or cry. Fortunately, the actors play it straight. Gosling does his b! est to make Lars sympathetic, but Schneider and Mortimer, full! y convin cing in their concern, are the true heart and soul of this odd little film. --Kathleen C. Fennessy

Beyond Lars and the Real Girl

More from Ryan Gosling

Lars and the Real Girl Soundtrack

More Comedies from MGM

Stills from Lars and the Real Girl

The Great Depression hits home for nine-year-old Kit Kittredge when her dad loses his business and leaves to find work. Oscar nominee* Abigail Breslin stars as Kit, leading a splendid cast in the first-ever American Girl theatrical movie. In order to keep their home, Kit and her mother must take in boarders paying houseguests who turn out to be full of fascinating stories. When m! others lockbox containing all their money is stolen, Kits new ! hobo fri end Will is the prime suspect. Kit refuses to believe that Will would steal, and her efforts to sniff out the real news get her and her friends into big trouble. The police say the robbery was an inside job, committed by someone they knew. So if it wasnt Will, then who did it?A period piece set in the Great Depression and based on the extremely popular American Girl book series, Kit Kittredge is a moving and believable story about a smart 10-year-old girl whose family is profoundly affected by the Depression. May, 1934 finds Kit Kittredge (Abigail Breslin) living a very comfortable life in a nice home with her mother (Julia Ormond) and father (Chris O'Donnell) despite the Depression that is affecting many of her neighbors. When her father's auto dealership is taken back by the bank, Kit's father is forced to head for Chicago to look for work, leaving his family struggling to make ends meet by taking in borders. Kindhearted and generous by nature, Kit's nose for! news and her aspirations of becoming a great reporter lead her to write a portrait of the boardinghouse run by her mother, essentially a kid's view of the Depression as well as an article about hobos that challenges many commonly held prejudices. Kit determinedly submits her articles to the local Cincinnati Register paper, regardless of the chief editor's stern ways and obvious lack of interest. When her own family and boarders become the victims of a crime, Kit's must utilize her investigative skills to solve the crime and exonerate her friend Will (Max Thieriot). Breslin's performance in this film is stellar--viewers can't help but believe that she is Kit Kittredge. The filmmakers' attention to detail ensures that everything from scenery props to music and dialogue seem completely authentic, and performances by Joan Cusack as the mobile librarian, Stanley Tucci as the traveling magician, Jane Krakowski as the desperate-for-love dance instructor, and Zach Mills as Kit's y! oung friend, are all impressive. Serious American Girl fans, p! eriod fi lm lovers, and viewers just looking for a good story will love this film. (Ages 3 and older) --Tami HoriuchiYou'd think moviemakers would have run out of new ways of capturing the trials and joys of young love--but director David Gordon Green finds a fresh take in All the Real Girls, a bittersweet small-town romance. By leaving out the usual humdrum exposition of a courtship story, Green cuts right to the little moments that form the high and low points of a budding relationship. It's an impressionistic style aided by the wonderfully spontaneous and unpredictable acting of Paul Schneider (who also co-scripted) and Zooey Deschanel--who look like they're improvising, even though they're not. As in Green's excellent debut feature George Washington, a small town serves as an atmospheric backdrop--this place looks a couple of decades shy of the 21st century. The mosaic approach makes the film play like a collection of memories, someone's first love recalled w! ith fondness and just a bit of regret. --Robert HortonWhen a teenager s mother dies, his road trip in a stolen car to reunite with his long lost brother unexpectedly becomes a fun roller-coaster of self-discovery.

Mezco Hellboy 2 The Golden Army Series 2 Action Figure Hellboy (No Coat)

• One of his many pet cats
• A six pack of his favorite beverage
• His trusty side arm the Samaritan
• Facial expressions may vary

HELLBOY II:GOLDEN ARMY - Blu-Ray MovieThe feverish Hellboy II: The Golden Army is a very busy sequel that might have looked unhinged in the hands of a less visionary director than Guillermo del Toro. Ron Perlman returns as Hellboy, aka "Red," the Dark Horse Comics demon-hero with roots in the mythical world but personal ties in the human realm. Still working, as he was in Hellboy, for a secret department of the federal government that deals (as in "Men In Black") with forces of the fantastic, Red and his colleagues take on a royal elf (Luke Goss) determined to smash a longtime truce between mankind and the forces of magic. Meanwhile, Red's relationship with girlfriend Liz (Selma Blair), who can burst into flames at will, is going ! through a rocky stage observed by Red's fishy friend Abe (Doug Jones), himself struck by love in this film. Del Toro brilliantly integrates the ordinary and extraordinary, diving into an extended scene set in a troll market barely hidden behind the façade of typical city streets. He also unleashes a forest monster that devastates an urban neighborhood, but then--interestingly--brings a luminous beauty to the same area as the creature (an "elemental") succumbs to a terrible death. Del Toro's art direction proves masterful, too, in a climactic battle set in a clockworks-like stronghold tucked away in rugged Irish landscape. But it's really the juxtaposition of visual marvels with not-so-unusual relationship issues that gives Hellboy II a certain jaunty appeal hard to find in other superhero movies. --Tom Keogh




Stills from Hellboy II: The Golden Army (Click for larger image) !

Genre: Action/Adventure
Rating: PG13
Release Date: 11-NOV-2008
Media Type: DVDThe feverish Hellboy II: The Golden Army is a very busy sequel that might have looked unhinged in the hands of a less visionary director than Guillermo del Toro. Ron Perlman returns as Hellboy, aka "Red," the Dark Horse Comics demon-hero with roots in the mythical world but personal ties in the human realm. Still working, as he was in Hellboy, for a secret department of the federal government that deals (as in "Men In Black") with forces of the fantastic, Red and his colleagues take on a royal elf (Luke Goss) determined to smash a longtime truce between! mankind and the forces of magic. Meanwhile, Red's relationshi! p with g irlfriend Liz (Selma Blair), who can burst into flames at will, is going through a rocky stage observed by Red's fishy friend Abe (Doug Jones), himself struck by love in this film. Del Toro brilliantly integrates the ordinary and extraordinary, diving into an extended scene set in a troll market barely hidden behind the façade of typical city streets. He also unleashes a forest monster that devastates an urban neighborhood, but then--interestingly--brings a luminous beauty to the same area as the creature (an "elemental") succumbs to a terrible death. Del Toro's art direction proves masterful, too, in a climactic battle set in a clockworks-like stronghold tucked away in rugged Irish landscape. But it's really the juxtaposition of visual marvels with not-so-unusual relationship issues that gives Hellboy II a certain jaunty appeal hard to find in other superhero movies. --Tom Keogh




Stills from Hellboy II: The Gol! den Army (Click for larger image)

Studio: Uni Dist Corp. (mca) Release Date: 11/11/2008 Run time: 120 minutes Rating: Pg13 The feverish Hellboy II: The Golden Army is a very busy sequel that might have looked unhinged in the hands of a less visionary director than Guillermo del Toro. Ron Perlman returns as Hellboy, aka "Red," the Dark Horse Comics demon-hero with roots in the mythical world but personal ties in the human realm. Still working, as he was in Hellboy, for a secret department of the federal government that deals (as in "Men In Black") with forces of the fantastic, Red and his colleagues take on a royal elf (Luke Goss) determined to smash a longtime truce bet! ween mankind and the forces of magic. Meanwhile, Red's relationship with girlfriend Liz (Selma Blair), who can burst into flames at will, is going through a rocky stage observed by Red's fishy friend Abe (Doug Jones), himself struck by love in this film. Del Toro brilliantly integrates the ordinary and extraordinary, diving into an extended scene set in a troll market barely hidden behind the façade of typical city streets. He also unleashes a forest monster that devastates an urban neighborhood, but then--interestingly--brings a luminous beauty to the same area as the creature (an "elemental") succumbs to a terrible death. Del Toro's art direction proves masterful, too, in a climactic battle set in a clockworks-like stronghold tucked away in rugged Irish landscape. But it's really the juxtaposition of visual marvels with not-so-unusual relationship issues that gives Hellboy II a certain jaunty appeal hard to find in other superhero movies. --Tom Keogh



Stills from Hellbo! y II: Th e Golden Army (Click for larger image)

After an ancient truce existing between humankind and the invisible realm of the fantastic is broken, hell on Earth is ready to erupt. A ruthless leader who treads the world above and the one below defies his bloodline and awakens an unstoppable army of creatures. Now, it's up to the planet's toughest, roughest superhero to battle the merciless dictator and his marauders. He may be red. He may be horned. He may be misunderstood. But when you need the job done right, it's time to call Hellboy. Along with his expanding team in the Bureau for Paranormal Research and Defense - pyro! technic girlfriend Liz Sherman, aquatic empathy Abe Sapien, an! d protop lasmic mystic Johann - the BPRD will travel between the surface strata and the unseen magical one, where creatures of fantasy become corporeal. And Hellboy, a creature of two worlds who's accepted by neither, must choose between the life he knows and an unknown destiny that beckons him.Studio: Uni Dist Corp. (mca) Release Date: 01/27/2009 Rating: Pg13 The feverish Hellboy II: The Golden Army is a very busy sequel that might have looked unhinged in the hands of a less visionary director than Guillermo del Toro. Ron Perlman returns as Hellboy, aka "Red," the Dark Horse Comics demon-hero with roots in the mythical world but personal ties in the human realm. Still working, as he was in Hellboy, for a secret department of the federal government that deals (as in "Men In Black") with forces of the fantastic, Red and his colleagues take on a royal elf (Luke Goss) determined to smash a longtime truce between mankind and the forces of magic. Meanwhile, Red's relations! hip with girlfriend Liz (Selma Blair), who can burst into flames at will, is going through a rocky stage observed by Red's fishy friend Abe (Doug Jones), himself struck by love in this film. Del Toro brilliantly integrates the ordinary and extraordinary, diving into an extended scene set in a troll market barely hidden behind the façade of typical city streets. He also unleashes a forest monster that devastates an urban neighborhood, but then--interestingly--brings a luminous beauty to the same area as the creature (an "elemental") succumbs to a terrible death. Del Toro's art direction proves masterful, too, in a climactic battle set in a clockworks-like stronghold tucked away in rugged Irish landscape. But it's really the juxtaposition of visual marvels with not-so-unusual relationship issues that gives Hellboy II a certain jaunty appeal hard to find in other superhero movies. --Tom Keogh




Stills from Hellboy ! II: The Golden Army (Click for larger image)

Soundtrack to Hellboy II -The Golden Army with music by the multi talented Danny Elfman. To match the fury, Danny Elfman again flexes his superhero symphonic muscle to follow in the grand tradition of Batman, Spider-Man and Men In Black. With a signature blend of action, humor and character-based spectacle, the saga of the world's toughest, kitten-loving hero from Hell continues to unfold in Hellboy 2: The Golden Army. Bigger muscle, badder weapons and more ungodly villains arrive in an epic vision of imagination from Oscar-nominated director Guillermo del Toro (Pan's Labyrinth, Hellboy).Mezco Hellboy 2 The Golden Army Series 2 Action Figure! Hellboy (No Coat)