Sabtu, 03 Desember 2011

Beetlejuice (20th Anniversary Deluxe Edition)

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Birth

  • In this mesmerizing and suspenseful film, a woman (Kidman) becomes convinced that a ten-year-old boy is the reincarnation of her dead husband.Running Time: 100 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 794043783821 UPC: 794043783821 Manufacturer No: N7838
Â"Well-researched and engaging . . . Birth is a clever, almost irreverent look at an enduring everyday miracle. (A-)” —Entertainment Weekly
Â"Wonderful. Packed full of information, a brilliant mixture of ancient wisdom and modern science.” —Kate Mosse, author of the New York Times best seller, Labyrinth
Â"Birth is a power-packed book. . . . A lively, engaging, and often witty read, a quirky, eye-opening account of one of life’s most elemental experiences.” —The Boston Globe
Published to widespread acclaim, Tina Cassidy’s smart, engaging book is the first world hi! story of childbirth in fifty years. From evolution to the epidural and beyond, Tina Cassidy presents an intelligent, enlightening, and impeccably researched cultural history of how and why we’re born the way we are. Women have been giving birth for millennia but that’s about the only constant in the final stage of the great process that is human reproduction. Why is it that every culture and generation seems to have its own ideas about the best way to give birth? Cassidy explores the physical, anthropological, political, and religious factors that have and will continue to influence how women bring new life into the world.
In this mesmerizing and suspenseful film, a woman (Kidman) becomes convinced that a ten-year-old boy is the reincarnation of her dead husband.

DVD Features:
DVD ROM Features
Theatrical Trailer

As directed by Jonathan Glazer (Sexy Beast) and dimly lit by cinematographer Harris Savides, Birth is a ! melancholy chamber piece, its pensive mood sustained by nearly! sub-son ic nuances in a fine, thematically developed score by Alexandre Desplat. All of these fine qualities are well-matched by the somber performance of Nicole Kidman, playing a still-grieving widow of 10 years, about to remarry when a 10-year-old boy (Cameron Bright) arrives to announce that he is her dead husband, reincarnated and full of convincing answers to personal marital questions. Rather than go for Sixth Sense-like chills and thrills, Glazer approaches Birth as a conundrum with no clear-cut solution, and his directorial style is so subdued, so deliberately understated, that most of the story's dramatic impact is sacrificed to oppressively dour atmosphere. If it doesn't lull you to sleep, Birth might hold your attention as a strange, subtle thriller in miniature scale. With its delicate, mature approach to the processes of grieving and recovery, however, Birth rewards attentive viewers attuned to the film's ultra-low-key wavelength, and it's gu! aranteed to provoke interesting post-movie discussions. Lauren Bacall, Danny Huston, Anne Heche, and Arliss Howard lead an esteemed supporting cast. --Jeff Shannon
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Half Nelson

  • DVD MOVIE
Dan Dunne (Ryan Gosling) is a young inner-city junior high school teacher whose ideals wither and die in the face of reality. Day after day in his shabby Brooklyn classroom, he somehow finds the energy to inspire his 13 and 14-year-olds to examine everything from civil rights to the Civil War with a new enthusiasm. Rejecting the standard curriculum in favor of an edgier approach, Dan teaches his students how change works ' on both a historical and personal scale ' and how to think for themselves.

Though Dan is brilliant, dynamic, and in control in the classroom, he spends his time outside school on the edge of consciousness. His disappointments and disillusionment have led to a serious drug habit. He juggles his hangovers and his homework, keeping his lives separated, until one of his troubled students, Drey (Shareeka Epps), catches him getting high after school.

From this ! awkward beginning, Dan and Drey stumble into an unexpected friendship. Despite the differences in their ages and situations, they are both at an important intersection. Depending on which way they turn ' and which choices they make ' their lives will change.

Sometimes people are attracted to each other because of their differences. When there's a nebulous attraction between a teacher and a young teenage child--as in the superb Half Nelson--the relationship has all the makings of confused disaster. Though there are a few uncomfortable moments when it's not obvious whether Dan (Ryan Gosling) and Drey! (Shareeka Epps) might cross the line, the attraction between ! the pair is culled less from sexual tension than desperation. Dan is an idealistic history teacher in an inner-city school. Drey is one of his brightest students. For both, drugs represent something that may help them escape their worlds. He takes drugs to dull his dissatisfaction with himself. She views drugs as a possible way to better her life, even though she knows her brother's foray into that trade landed him in jail. Bleakly filmed and well told, Half Nelson soars because of the immaculate acting by Gosling and Epps. With his impish smile, Gosling provides a character that is at once disarming, alluring, and pitiful. As the young girl who's already seen too much hardship in her life, Epps plays her part with just the right amount of hardened raw emotion. While the ambiguous ending may not please fans weaned on happy Hollywood finales, it's a fitting and believable close to a thought-provoking film. --Jae-Ha Kim

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Stills from Half Nelson (click for larger image)







Beyond Half Nelson at Amazon.com


The Films of Ryan Gosling
More Oscar Nominated Roles at the Amazon.com Oscar Store
The Soundtrack

DVD WITH ORGINAL CASE AND ARTWORK, JUST LIKE NEW, SHIPS USPS FIRST CLASS W/TRACKING!

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Big Kahuna Reef [Download]

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Adam Sandler's Eight Crazy Nights

  • Actors: Jamie Alcroft, Blake Clark, Norm Crosby, Ellen Albertini Dow, Carmen Filpi
  • Format: AC-3, Color, Dolby, Dubbed, DVD, Full Screen, Subtitled, Widescreen, NTSC
  • Language: English. Subtitles: English, French.
  • Region: Region 1 encoding (US and Canada only)
  • Rated PG-13
Once a happy boy, but now the town delinquent, Davey (voiced by Sandler) is given one last chance to redeem himself with his community and discover the true meaning of the holiday season. Voices of Adam Sandler along with Kevin Nealon, Rob Schneider and Jon Lovitz. VHS and DVD features the short film with Adam Sandler’s Dog "A Day with Meatball" and many Adam Sandler songs!Adam Sandler fans will find the animated movie 8 Crazy Nights to be another flowering of Sandler's absurdist goofiness. People who find Sandler completely annoying will be triply annoyed by 8 Crazy Nights,! because Sandler does the voices for three different characters: Davey Stone, a boozing, belching, self-loathing loser who hates the holidays; Whitey, a tiny old man who tries to rehabilitate Davey; and Eleanor, Whitey's neurotic twin sister, who seems not to have left her house in years. Fans will find the slapdash musical numbers and scatological humor hilarious; foes will find them tiresome and banal. But even Sandler's advocates won't care about the by-the-numbers plot of holiday redemption; you see, Davey's parents died on the first night of Hanukkah, and he just needs to cry about it. Sandler's best when he's walking that line between stupid and smart-ass. When he gets sentimental, it's trouble. --Bret FetzerADAM SANDLER'S EIGHT CRAZY NIGHTS - DVD MovieAdam Sandler fans will find the animated movie 8 Crazy Nights to be another flowering of Sandler's absurdist goofiness. People who find Sandler completely annoying will be triply annoyed by ! 8 Crazy Nights, because Sandler does the voices for three! differe nt characters: Davey Stone, a boozing, belching, self-loathing loser who hates the holidays; Whitey, a tiny old man who tries to rehabilitate Davey; and Eleanor, Whitey's neurotic twin sister, who seems not to have left her house in years. Fans will find the slapdash musical numbers and scatological humor hilarious; foes will find them tiresome and banal. But even Sandler's advocates won't care about the by-the-numbers plot of holiday redemption; you see, Davey's parents died on the first night of Hanukkah, and he just needs to cry about it. Sandler's best when he's walking that line between stupid and smart-ass. When he gets sentimental, it's trouble. --Bret FetzerAdam Sandler fans will find the animated movie 8 Crazy Nights to be another flowering of Sandler's absurdist goofiness. People who find Sandler completely annoying will be triply annoyed by 8 Crazy Nights, because Sandler does the voices for three different characters: Davey Stone,! a boozing, belching, self-loathing loser who hates the holidays; Whitey, a tiny old man who tries to rehabilitate Davey; and Eleanor, Whitey's neurotic twin sister, who seems not to have left her house in years. Fans will find the slapdash musical numbers and scatological humor hilarious; foes will find them tiresome and banal. But even Sandler's advocates won't care about the by-the-numbers plot of holiday redemption; you see, Davey's parents died on the first night of Hanukkah, and he just needs to cry about it. Sandler's best when he's walking that line between stupid and smart-ass. When he gets sentimental, it's trouble. --Bret FetzerStudio: Sony Pictures Home Ent Release Date: 05/20/2008 Run time: 76 minutes Rating: Pg13Adam Sandler fans will find the animated movie 8 Crazy Nights to be another flowering of Sandler's absurdist goofiness. People who find Sandler completely annoying will be triply annoyed by 8 Crazy Nights, because Sa! ndler does the voices for three different characters: Davey St! one, a boozing, belching, self-loathing loser who hates the holidays; Whitey, a tiny old man who tries to rehabilitate Davey; and Eleanor, Whitey's neurotic twin sister, who seems not to have left her house in years. Fans will find the slapdash musical numbers and scatological humor hilarious; foes will find them tiresome and banal. But even Sandler's advocates won't care about the by-the-numbers plot of holiday redemption; you see, Davey's parents died on the first night of Hanukkah, and he just needs to cry about it. Sandler's best when he's walking that line between stupid and smart-ass. When he gets sentimental, it's trouble. --Bret Fetzer
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Bolt (Single-Disc Edition)

  • Let it begin! Get ready for the most totally awesome adventure ever as Bolt, the coolest action hero on Earth, and me, Rhino, his faithful partner and right-hand hamster, set off on a super secret mission! As one half of the Dynamic Duo, I'll let you in on the action. One day I'm watching Bolt on TV, and the next thing I know I'm working alongside my all-time favorite hero in stealth mode! We have
Bolt (voiced by John Travolta) is the star of the biggest show in Hollywood. The only problem is, he thinks the whole thing is real. When the super dog is accidentally shipped to New York City and separated from Penny (voiced by Miley Cyrus), his beloved co-star and owner, Bolt springs into action to find his way home. Together with his hilarious new sidekicks  Rhino (voiced by Mark Walton) â€" Bolt’s #1 Fan â€" and a street-smar! t cat named Mittens (voiced by Susie Essman), Bolt sets off on an amazing journey where he discovers he doesn’t need super powers to be a hero.Bolt is a funny animated film about a dog who thinks he has superpowers. It is also a movie about friendship, perseverance, and the power of believing in oneself. Everyone knows that superheroes on television are not real, but super-dog Bolt (John Travolta) is a canine star who has been carefully raised to believe that he really possesses superpowers. Bolt is completely devoted to his human co-star Penny (Miley Cyrus), so when Penny is captured by the evil Dr. Calico (Malcolm McDowell) in their latest te! levision episode and then Bolt accidentally gets loose in the ! real wor ld, Bolt sets off on a journey to save her. Bolt is confounded when his super powers are suddenly ineffective, but inspiration strikes and Bolt quickly discovers the mysterious, power-stealing effects of Styrofoam packing peanuts. An encounter with alley cat Mittens (Susie Essman) gives Bolt some eye-opening lessons about being a real dog in the real world, while star-struck, ball-enclosed hamster Rhino (Mark Walton) revels in the opportunity to serve as Bolt's sidekick in the quest to rescue Penny. The trio traverses the United States from waffle house to waffle house on a hysterical quest to find Penny and prove that the relationship between Penny and Bolt is real. In the end, Bolt, Mittens, and Rhino learn that everyone is special in their own way and they discover the true power of believing in oneself and one's friends. Select theaters showed Bolt in Real-D 3-D which features some nice effects, but the film is probably equally enjoyable in the traditional format. A fun ! film with a nice message and a huge dose of cute, Bolt is good entertainment for the entire family. --Tami Horiuchi

 Stills from Bolt (Click for larger image)












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Desolation Angels #3 (The Big Empty)

  • ISBN13: 9781595140081
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
One year ago, a devastating plague called Strain 7 killed three quarters of the human race. Around the world, power systems failed and supply chains screeched to a halt. The surviving population of the United States has been relocated to the coasts; the heartland is now a wasteland called The Big Empty. But seven teens trying to put their lives back together will learn that the abandoned zone holds danger, secrets, and above all, hope.
The Great Plains, known for grasslands that stretch to the horizon, is a difficult region to define. Some classify it as the region beginning in the east at the ninety-eighth or one-hundredth meridian. Others identify the eastern boundary with annual precipitation li! nes, soil composi-tion, or length of the grass. In The Big Empty, leading historian R. Douglas Hurt defines this region using the towns and citiesâ€"Denver, Lin-coln, and Fort Worthâ€"that made a difference in the history of the environment, politics, and agriculture of the Great Plains.

Using the voices of women homesteaders, agrarian socialists, Jewish farmers, Mexican meatpackers, New Dealers, and Native Americans, this book creates a sweeping survey of contested race relations, radical politics, and agricultural prosperity and decline during the twentieth century. This narrative shows that even though Great Plains history is fraught with personal and group tensions, violence, and distress, the twentieth century also brought about compelling social, economic, and political change.

The only book of its kind, this account will be of interest to historians studying the region and to anyone inspired by the story of the men and women who found an opportunity f! or a better life in the Great Plains.
In the third instal! lment of The Big Empty, the teens are on the run after making the shocking discovery that the leader of Novo Mundum, the secret community hidden in the middle of the evacuated Big Empty, is developing a new, even more dangerous virus.
The group faces a challenging trek through the forbidden zone as they search for someone they can trust. In a journey that will test their survival skills like nothing they've experienced so far, the teens' relationships are pushed to the breaking point, with one couple ripped apart for good. An unexpected reunion with someone from their past will prove to be a turning point-but will this familiar face bring salvation or ruin?
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Blow

  • There?s no money in a ?real job.? So George Jung deals pot. Lots of it. The blue-collar kid dubbed Boston George spirals up from there, into the riches and excesses of the huge cocaine cartels. And crashes hard. Johnny Depp portrays George, the ambitious outlaw who, perhaps more than any American, transformed powder cocaine from relative obscurity in the U.S. into a 1970s/80s feeding frenzy. Penel
Based on a true story, Blow gives us a fast-paced look at the quick rise and fall of George Jung (Johnny Depp) who became a premier importer of Colombian cocaine, in the turbulent 1970's, forever changing the face of drugs in America.A briskly paced hybrid of Boogie Nights and Goodfellas, Blow chronicles the three-decade rise and fall of George Jung (Johnny Depp), a normal American kid who makes a personal vow against poverty, builds a marijuana empire in the '60s, multiplies hi! s fortune with the Colombian Medellín cocaine cartel, and blows it all with a series of police busts culminating in one final, long-term jail sentence. "Your dad's a loser," says this absentee father to his estranged but beloved daughter, and he's right: Blow is the story of a nice guy who made wrong choices all his life, almost single-handedly created the American cocaine trade, and got exactly what he deserved. As directed by Ted Demme, the film is vibrantly entertaining, painstakingly authentic... and utterly aimless in terms of overall purpose.

We can't sympathize with Jung's meteoric rise to wealth and the wild life, and Demme isn't suggesting that we should idolize a drug dealer. So what, exactly, is the point of Blow? Simply, it seems, to present Jung's story as the epitome of the coke-driven glory days, and to suggest, ever so subtly, that Jung isn't such a bad guy, after all. Anyone curious about his lifestyle will find this film amazing, and th! ere's plenty of humor mixed with the constant threat of violen! ce and p aranoid anxiety. Demme has also populated the film with a fantastic supporting cast (although Penélope Cruz grows tiresome as Jung's hedonistic wife), and this is certainly a compelling look at the other side of Traffic. Still, one wishes that Blow had a more viable reason for being; like a wild party, it leaves you with a hangover and a vague feeling of regret. --Jeff Shannon

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